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Publications in PDF

   Peer-Reviewed

Forth.    “Posthumanist Voices in Literature and Opera,” In The Oxford Handbook of Sound and Imagination, ed. by Mark Grimshaw, Mads Walther-Hansen, and Martin Knakkergaard, (Oxford: Oxford University Press, forth.), 10,622 words.

2017     “The Lied d’Ossian in Massenet’s Werther: Intertextuality and Vocality in the Long Nineteenth Century,” Journal of Musicological Research.  Special Issue: “Reading Music Through Literature.” 36.1: 29-57.

2017      “The Queer Voices of Xavier Dolan’s Mommy,” European Journal of American Studies. Special Issue: Special Issue: Re-Queering The Nation: America’s Queer Crisis,” 11.3.  (A previous version of this article was published in French.  Consult the next link below.)

2016      “Les voix queers dans Mommy de Xavier Dolan,” Synoptique: An Online Journal of Film and Moving Image Studies. Special Issue: “Xavier Dolan, Queer Nations, and World Cinema: Locating the Intimate within the Global,” 4.2: 32-54.

2015      “Digital scenography and the mimetic aporia of Richard Wagner’s Ring Cycle,”Journal of Aesthetics and Culture  [S.l.], v. 7.

2012      “Orpheus in New Media: Images of the Voice in Digital Opera.”  The International Journal of Performance Arts and Digital Media, Special issue: “Digital Opera: New Means and New Meanings.” 8.1: 31-48.

  Other publications

2017     “Orpheus or the Allegory of Music.”  Introductory essay and French translation of the liner notes for Orpheus Descending, Mark Edwards, harpsichord, Early-Music.com label, Montréal, CD.

2012      Translation. “The Seven Last Words of Christ”Die Sieben Worte Jesu Am Kreuz by C. Graupner.  Les Idées heureuses, G. Soly et al. CD booklet. Montréal: Analekta. 15-31.